"Hamstank funnels work to the public fashioned in his own, organic voice and style. A voice that is less grounded in rock, rap, and R&B. But moreso, his work presents as epic fantasy film score. Hamstank is Boston’s musical go-to for magical realism."

- Rex Mac, Boston Hassle


"Hamstank blends electronic beats and synth textures with the work of some of Boston’s best local singers and instrumentalists for an engulfing and cinematic experience."
Boston Hassle 

"It’s thoughtful, wonderfully earnest, and a little bit nerdy." - Sound of Boston

"It all fits in to a cohesive narrative and is most certainly a release to hear in one sitting to fully contextualise the unfolding storyline."
- Emerging Indie Bands

"That was weird."

- Hamstank's Mom

Production and Engineering


Cleo (2019)


Nov. 3rd (2016) 


"If anyone wants the job done, hire this dude. He did my entire album for me, and I don't doubt the success of it has a lot to do with who was behind it."


Freedom (2019)

Still Electric

Friend (2019)

"He's incredibly talented and professional. He does a wonderful job at taking our vague ideas and making them happen. We wouldn't trust anyone else with our music."

Vitiligo (film 2017)

Sound Designer/Sound Editor/Composer/Mixer/Foley Artist

Ian Archibold

Parallel (2016)


Fire in the Field

The Pink Noise Session (2019)


Xtra Dough
Xtra Dough


Laroy Streat




John E. Funk and the Skunks


"Once you peel back the layers of metaphor at work, you realize that these songs work as an allegory for mental health. World on Fire is simultaneously about rising to confront those issues, while also letting us indulge in our nerdy, fantasy interests."

Harry Gustafson, Allston Pudding